Sunday afternoons have their own particular quality of light and stillness. The right film slots into that feeling perfectly - unhurried, absorbing, a reason to stay on the sofa a little longer.
The 80s and 90s remain a goldmine. Films that were commercially dismissed on release and now considered essential.
Animation isn't a genre - it's a medium. And in the right hands, it reaches emotional places live-action simply cannot.
A member of an elite paramilitary counter-terrorism unit becomes traumatized after witnessing the suicide bombing of a young girl and is forced to undergo retraining. However, unbeknownst to him, he becomes a key player in a dispute between rival police divisions, as he finds himself increasingly involved with the sister of the girl he saw die.
In lyrical switches between the present and the past, Taeko contemplates the arc of her life, and wonders if she has been true to the dreams of her childhood self.
This colorful adventure tells the story of an impetuous mermaid princess named Ariel who falls in love with the very human Prince Eric and puts everything on the line for the chance to be with him. Memorable songs and characters -- including the villainous sea witch Ursula.
Drawn from elements of West African folk tales, it depicts how a newborn boy, Kirikou, saves his village from the evil witch Karaba.
The strong bond between two Royal Egyptian brothers is challenged when their chosen responsibilities set them at odds, with extraordinary consequences.
What makes these films remarkable is their emotional honesty. They're animated, but they don't soften anything.
The Z Warriors discover an unopenable music box and are told to open it with the Dragon Balls. The contents turn out to be a warrior named Tapion who had sealed himself inside along with a monster called Hildegarn. Goku must now perfect a new technique to defeat the evil monster.
An outcast half-wolf risks his life to prevent a deadly epidemic from ravaging Nome, Alaska.
In this feature film based on the hit animated series, the third graders of South Park sneak into an R-rated film by ultra-vulgar Canadian television personalities Terrance and Phillip, and emerge with expanded vocabularies that leave their parents and teachers scandalized. When outraged Americans try to censor the film, the controversy spirals into a call to wage war on Canada and Terrance and Phillip end up on death row, with the kids their only hope of rescue.
A unicorn learns from a riddle-speaking butterfly that she is supposedly the last of her kind, all the others having been herded away by the monstrous Red Bull. The unicorn sets out to discover the truth behind the butterfly's words. She is eventually joined on her quest by Schmendrick, a second-rate magician, and Molly Grue, a middle-aged woman who dreamed all her life of seeing a unicorn. Their journey leads them far from home, all the way to the castle of King Haggard.
While the Saiyan Paragus persuades Vegeta to rule a new planet, King Kai alerts Goku of the South Galaxy's destruction by an unknown Super Saiyan.
A good cry isn't weakness - it's release. These films provide it honestly, without manipulation, without cheap sentiment.
These films prove that animation is not a lesser form of cinema. It's a different one - capable of its own kind of greatness.