These comedy picks were hand-selected for a rainy night in, not pulled from a popularity chart. Every pick is chosen for emotional and situational fit, not streaming popularity or critic scores.
The best comedy movies alone on a rainy night from the 2010s based on a true story. Includes Spies in Disguise, What We Do in the Shadows, Me and Earl and th...
There's a particular kind of film for a rainy night alone - absorbing enough to pull you fully in, good enough that you don't check your phone once.
In retrospect, the 2010s were a decade of quiet excellence - films doing serious work without demanding credit for it.
The best comedies work because they're built on truth. Exaggerated truth, maybe â but something you recognise from life.
Super spy Lance Sterling and scientist Walter Beckett are almost exact opposites. Lance is smooth, suave and debonair. Walter is... not. But what Walter lacks in social skills he makes up for in smarts and invention, creating the awesome gadgets Lance uses on his epic missions. But when events take an unexpected turn, Walter and Lance suddenly have to rely on each other in a whole new way.
Vampire housemates try to cope with the complexities of modern life and show a newly turned hipster some of the perks of being undead.
Greg is coasting through senior year of high school as anonymously as possible, avoiding social interactions like the plague while secretly making spirited, bizarre films with Earl, his only friend. But both his anonymity and friendship threaten to unravel when his mother forces him to befriend a classmate with leukemia.
The comedic modern-day quintet takes on their 2003 counterparts when villains from each of their worlds join forces to pit the two Titan teams against each other. They'll need to set aside their differences and work together to combat Trigon, Hexagon, Santa Claus (that's right, Santa!) and time itself in order to save the multiverse.
While on a trip to Paris with his fiancée's family, a nostalgic screenwriter finds himself mysteriously going back to the 1920s every day at midnight.
The comedies that age well are the ones built on character. Jokes change. Human behaviour doesn't. These films are about people, not punchlines.
A disgraced basketball coach is given the chance to coach Los Amigos, a team of players who are intellectually disabled, and soon realizes they just might have what it takes to make it to the national championships.
An Iranian family survives the shah and the ayatollah and moves to France. This story follows the family through it all. Despite the politics, revolution, prison, beatings, assassinations and suicides this is a comedy.
When Pete and Ellie decide to start a family, they stumble into the world of foster care adoption. They hope to take in one small child but when they meet three siblings, including a rebellious 15 year old girl, they find themselves speeding from zero to three kids overnight.
Colorado Springs, late 1970s. Ron Stallworth, an African American police officer, and Flip Zimmerman, his Jewish colleague, run an undercover operation to infiltrate the Ku Klux Klan.
England, early 18th century. The close relationship between Queen Anne and Sarah Churchill is threatened by the arrival of Sarah's cousin, Abigail Hill, resulting in a bitter rivalry between the two cousins to be the Queen's favourite.
True stories carry a different weight. Knowing it happened - knowing real people made these choices - changes how you watch.
These films hold up because they were never just funny. They were precise, human, and true. The laughter was always a byproduct of that.
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