Rain against the window and a film nobody else picked. This is one of the few configurations that actually allows you to pay full attention.
The 2010s were defined by a wave of filmmakers who understood that the best genre films work on multiple levels simultaneously.
The best comedies work because they're built on truth. Exaggerated truth, maybe â but something you recognise from life.
All unemployed, Ki-taek's family takes peculiar interest in the wealthy and glamorous Parks for their livelihood until they get entangled in an unexpected incident.
The film tells the story of Ariel, a 21-year-old who decides to form a rock band to compete for a prize of ten thousand dollars in a musical band contest, this as a last option when trying to get money to save their relationship and reunite with his ex-girlfriend, which breaks due to the trip she must make to Finland for an internship. Ariel with her friend Ortega, decides to make a casting to find the other members of the band, although they do not know nothing about music, thus forming a band with members that have diverse and opposite personalities.
A true story of two men who should never have met - a quadriplegic aristocrat who was injured in a paragliding accident and a young man from the projects.
Tony Lip, a bouncer in 1962, is hired to drive pianist Don Shirley on a tour through the Deep South in the days when African Americans, forced to find alternate accommodations and services due to segregation laws below the Mason-Dixon Line, relied on a guide called The Negro Motorist Green Book.
A selfish postman and a reclusive toymaker form an unlikely friendship, delivering joy to a cold, dark town that desperately needs it.
What makes great comedy is specificity. The more precise the observation, the more universal the feeling. These films nail that balance.
After receiving a warning that Yunyun's hometown is in danger, Kazuma's party is relieved to discover it's only a joke...until it isn't. The Demon King's general has just arrived to obtain The Mage Killer, a weapon with world-ending power.
The Grand Budapest Hotel tells of a legendary concierge at a famous European hotel between the wars and his friendship with a young employee who becomes his trusted protégé. The story involves the theft and recovery of a priceless Renaissance painting, the battle for an enormous family fortune and the slow and then sudden upheavals that transformed Europe during the first half of the 20th century.
A New York stockbroker refuses to cooperate in a large securities fraud case involving corruption on Wall Street, corporate banking world and mob infiltration. Based on Jordan Belfort's autobiography.
Frank, a single man raising his child prodigy niece Mary, is drawn into a custody battle with his mother.
An urban office worker finds that paper airplanes are instrumental in meeting a girl in ways he never expected.
The best measure of whether a film is worth watching is whether you'd recommend it to someone you respect. These all qualify.
These films hold up because they were never just funny. They were precise, human, and true. The laughter was always a byproduct of that.