These crime films were selected by the Moviepiq editorial team for after a breakup. Popularity and critic scores don't factor in here. Emotional fit does.
The best crime movies after a breakup from the 80s and 90s with an unforgettable ending. Includes Police Story, Sonatine, Menace II Society and more - curate...
The best films to watch after a breakup are the ones that make you forget, then make you feel something that has nothing to do with what just happened.
The 80s and 90s remain a goldmine. Films that were commercially dismissed on release and now considered essential.
Crime cinema at its best is a mirror - not a celebration of lawbreaking, but an examination of what drives people to it.
Officer Chan Ka Kui manages to put a major Hong Kong drug dealer behind the bars practically alone, after a shooting and an impressive chase inside a slum. Now, he must protect the boss' secretary, Selina, who will testify against the gangster in court.
Murakawa, an aging Tokyo yakuza tiring of gangster life, is sent by his boss to Okinawa along with a few of his henchmen to help end a gang war, supposedly as mediators between two warring clans. He finds that the dispute between the clans is insignificant and whilst wondering why he was sent to Okinawa at all, his group is attacked in an ambush. The survivors flee and make a decision to lay low at the beach while they await further instructions.
A young street hustler attempts to escape the rigors and temptations of the ghetto in a quest for a better life.
Andrea Beaumont leaves her father to return to Gotham, rekindling an old romance with Bruce Wayne. At the same time, a mysterious figure begins to hunt down Gotham's criminals, wrongly implicating Batman in the murders. Now on the run from the law, Batman must find and stop the culprit, while also navigating his relationship with Andrea.
A kidnapped boy strikes up a friendship with his captor: an escaped convict on the run from the law, headed by an honorable U.S. Marshal.
The crime films worth your time are the ones where the moral calculus is genuinely complicated. Not every villain is a monster. Not every hero is clean.
Set in 1929, a political boss and his advisor have a parting of the ways when they both fall for the same woman.
A year after the murder of her mother, a teenage girl is terrorized by a masked killer who targets her and her friends by using scary movies as part of a deadly game.
A renowned ophthalmologist is desperate to cut off an adulterous relationship...which ends up in murder; and a frustrated documentary filmmaker woos an attractive television producer while making a film about her insufferably self-centered boss.
In the midst of trying to legitimize his business dealings in 1979 New York and Italy, aging mafia don, Michael Corleone seeks forgiveness for his sins while taking a young protege under his wing.
The best endings don't resolve - they resonate. You're still thinking about them on the way to bed. These qualify.
These films work because they take their characters seriously - even the ones doing terrible things.
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