A rainy night alone is one of the few situations that genuinely calls for a great film. No interruptions, no compromises on what to watch, no one talking over the quiet moments.
The 2000s feel undervalued now. A decade of films that knew what they were doing and did it without apology.
The best crime films understand that most criminals aren't monsters. They're people who made a series of choices.
A man against capital punishment is accused of murdering a fellow activist and is sent to death row.
Two men wake up to find themselves shackled in a grimy, abandoned bathroom. As they struggle to comprehend their predicament, they discover a disturbing tape left behind by the sadistic mastermind known as Jigsaw. With a chilling voice and cryptic instructions, Jigsaw informs them that they must partake in a gruesome game in order to secure their freedom.
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.
When an armed, masked gang enter a Manhattan bank, lock the doors and take hostages, the detective assigned to effect their release enters negotiations preoccupied with corruption charges he is facing.
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free. He targets not only the killer but also the district attorney and others involved in the deal.
The crime films worth your time are the ones where the moral calculus is genuinely complicated. Not every villain is a monster. Not every hero is clean.
Jean-Baptiste Grenouille, born in the stench of 18th century Paris, develops a superior olfactory sense, which he uses to create the world's finest perfumes. However, his work takes a dark turn as he tries to preserve scents in the search for the ultimate perfume.
Heavyweight Champ George "Iceman" Chambers is sent to a Russian jail on trumped-up drug charges. In order to win his freedom he must fight against the jailhouse fighting champ Uri Boyka in a battle to the death. This time he is not fighting for a title, he is fighting for his life!
When an old friend brings filmmaker Enrique Goded a semi-autobiographical script chronicling their adolescence, Enrique is forced to relive his youth spent at a Catholic boarding school. Weaving through past and present, the script follows a transvestite performer who reconnects with a grade school sweetheart. Spurred on by this chance encounter, the character reflects on her childhood sexual victimization and the trauma of closeting her sexual orientation.
A boy named George Jung grows up in a struggling family in the 1950's. His mother nags at her husband as he is trying to make a living for the family. It is finally revealed that George's father cannot make a living and the family goes bankrupt. George does not want the same thing to happen to him, and his friend Tuna, in the 1960's, suggests that he deal marijuana. He is a big hit in California in the 1960's, yet he goes to jail, where he finds out about the wonders of cocaine. As a result, when released, he gets rich by bringing cocaine to America. However, he soon pays the price.
Mike Sullivan works as a hit man for crime boss John Rooney. Sullivan views Rooney as a father figure, however after his son is witness to a killing, Mike Sullivan finds himself on the run in attempt to save the life of his son and at the same time looking for revenge on those who wronged him.
A film earns your tears by making you believe in its characters first. These films do that work thoroughly, then use it.
Great crime cinema lingers because it doesn't offer easy resolution. The moral weight sits with you.