The danger of a first date film is that the wrong choice becomes the story of the evening. Pick something with enough texture to be interesting, but not so heavy that it needs processing.
Crime as a genre works because it forces moral clarity in situations designed to resist it.
A prizefighter-turned-longshoreman with a conscience goes up against labor leaders to expose corruption, extortion, and murder among the union ranks.
Lynn, a brilliant student, after helping her friends to get the grades they need, develops the idea of starting a much bigger exam-cheating business.
In Depression-era West Virginia, a serial-killing preacher hunts two young children who know the whereabouts of a stash of money.
After being deported back to Mexico, a man has no choice but to join the vicious drug cartel that has corrupted his hometown in order to survive.
These films don't romanticise crime - they examine it. The best of them leave you uncertain about who you were rooting for.
The powerful true story of Harvard-educated lawyer Bryan Stevenson, who goes to Alabama to defend the disenfranchised and wrongly condemned - including Walter McMillian, a man sentenced to death despite evidence proving his innocence. Bryan fights tirelessly for Walter with the system stacked against them.
Jerry, a small-town Minnesota car salesman is bursting at the seams with debt... but he's got a plan. He's going to hire two thugs to kidnap his wife in a scheme to collect a hefty ransom from his wealthy father-in-law. It's going to be a snap and nobody's going to get hurt... until people start dying. Enter Police Chief Marge, a coffee-drinking, parka-wearing - and extremely pregnant - investigator who'll stop at nothing to get her man. And if you think her small-time investigative skills will give the crooks a run for their ransom... you betcha!
Selma, a Czech immigrant on the verge of blindness, struggles to make ends meet for herself and her son, who has inherited the same genetic disorder and will suffer the same fate without an expensive operation. When life gets too difficult, Selma learns to cope through her love of musicals, dreaming up little numbers to the rhythmic beats of her surroundings.
Based on the true story of would-be Brooklyn bank robbers John Wojtowicz and Salvatore Naturile. Sonny and Sal attempt a bank heist which quickly turns sour and escalates into a hostage situation and stand-off with the police. As Sonny's motives for the robbery are slowly revealed and things become more complicated, the heist turns into a media circus.
After barely surviving a brutal attack by a sadistic serial killer, crime boss Jang Dong-su is left humiliated. Determined to catch the killer known as K, he forms an uneasy alliance with Jung Tae-seok, a relentless and incorruptible detective who often disrupts his illegal business. However, while Jang Dong-su wants K dead, Jung Tae-suk is determined to bring him to justice. With a deal in place-whoever finds K first will decide his fate-the hunt begins, blurring the lines between crime and law.
Tension is a byproduct of investment. You're only on the edge of your seat if the film has made you care first. These do.
Great crime cinema lingers because it doesn't offer easy resolution. The moral weight sits with you.