There's a particular kind of cinema that works best on a Sunday. Not too light, not too demanding. Something you'll be glad you watched by the time the evening comes.
Despite everything, the 2020s have produced some genuinely remarkable cinema. Films made under pressure that somehow carry none of it.
Crime cinema at its best is a mirror - not a celebration of lawbreaking, but an examination of what drives people to it.
Suspicious that her colleague is responsible for a series of mysterious patient deaths, a nurse risks her own life to uncover the truth.
At work, she's a renowned assassin. At home, she's a single mom to a teenage daughter. Killing? That's easy. It's parenting that's the hard part.
Baltimore. New Year's Eve. A talented but troubled police officer is recruited by the FBI's chief investigator to help profile and track down a mass murderer.
A small, wealthy family in New York City gets progressively torn apart by secrets, lies, and the theft that orchestrates all of it.
Following the loss of their son, a retired sheriff and his wife leave their Montana ranch to rescue their young grandson from the clutches of a dangerous family living off the grid in the Dakotas.
What sets great crime cinema apart is consequence. Every action has a cost. These films make you feel that cost.
A man living in self-imposed exile on a remote island rescues a young girl from a violent storm, setting off a chain of events that forces him out of seclusion to protect her from enemies tied to his past.
West Point, New York, 1830. When a cadet at the burgeoning military academy is found hanged with his heart cut out, the top brass summons former New York City constable Augustus Landor to investigate. While attempting to solve this grisly mystery, the reluctant detective engages the help of one of the cadets: a strange but brilliant young fellow by the name of Edgar Allan Poe.
A mysterious woman recruits bank teller Ludwig Dieter to lead a group of aspiring thieves on a top-secret heist during the early stages of the zombie apocalypse.
Aaron Falk returns to his drought-stricken hometown to attend a tragic funeral. But his return opens a decades-old wound - the unsolved death of a teenage girl.
A mild-mannered professor moonlighting as a fake hit man in police stings ignites a chain reaction of trouble when he falls for a potential client.
The best cinematography is invisible until it isn't. These films have moments where you notice the image and can't look away.
Great crime cinema lingers because it doesn't offer easy resolution. The moral weight sits with you.