There's a particular kind of film for a rainy night alone - absorbing enough to pull you fully in, good enough that you don't check your phone once.
The 2020s have already produced films that will be studied for decades - lean, precise, unafraid to take audiences seriously.
Drama works when it makes you forget you're watching a film. The best of them pull you in so completely that the credits are a genuine surprise.
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.
Stuck in COVID-19 lockdown, US comedian and musician Bo Burnham attempts to stay sane and happy by writing, shooting and performing a one-man comedy special.
On October 13, 1972, Uruguayan Air Force Flight 571, chartered to take a rugby team to Chile, crashes into a glacier in the heart of the Andes.
A lonely dog's friendship with his robot companion takes a sad turn when an unexpected malfunction forces him to abandon Robot at the beach. Will Dog ever meet Robot again?
The story of Tim Ballard, a former US government agent, who quits his job in order to devote his life to rescuing children from global sex traffickers.
The dramas worth your time are the ones that don't resolve too neatly. Life doesn't tie itself off, and neither do these films.
The inspiring true story of Richard Montañez, the Frito Lay janitor who channeled his Mexican American heritage and upbringing to turn the iconic Flamin' Hot Cheetos into a snack that disrupted the food industry and became a global pop culture phenomenon.
After an outburst at school involving her son, a concerned single mother demands answers, triggering a sequence of deepening suspicion and turmoil.
Edmond Dantès becomes the target of a sinister plot and is arrested on his wedding day for a crime he did not commit. After 14 years in the island prison of Château d'If, he manages a daring escape. Now rich beyond his dreams, he assumes the identity of the Count of Monte-Cristo and exacts his revenge on the three men who betrayed him.
Since 2014, France's restorative justice programmes have offered a safe space for supervised dialogue between offenders and victims. Grégoire, Nawelle, and Sabine, victims of heists and violent robberies, agree to join one of these discussion groups alongside offenders Nassim, Issa, and Thomas, all convicted of violent robberies. Meanwhile Chloé, a victim of childhood sexual abuse, prepares for dialogue with her own agressor after learning he has moved back into town.
A woman married to a former politician during the 1971 military dictatorship in Brazil is forced to reinvent herself and chart a new course for her family after a violent and arbitrary act.
The best cinematography is invisible until it isn't. These films have moments where you notice the image and can't look away.
These films remind you that cinema, at its best, is one of the few places where empathy is not optional.