A movie marathon lives or dies on the quality of its list. Start strong, vary the pace, and make sure at least one film in the sequence is one nobody in the room has seen.
The 2010s were defined by a wave of filmmakers who understood that the best genre films work on multiple levels simultaneously.
Drama works when it makes you forget you're watching a film. The best of them pull you in so completely that the credits are a genuine surprise.
Leonardo is a blind teenager dealing with an overprotective mother while trying to live a more independent life. To the disappointment of his best friend, Giovana, he plans to go on an exchange program abroad. When Gabriel, a new student in town, arrives at their classroom, new feelings blossom in Leonardo making him question his plans.
Lou Clark, a directionless 26-year-old from the English countryside, takes a job at the local castle as a caregiver and companion to a wealthy young banker, Will Traynor. Wheelchair-bound from an accident two years prior, the once adventurous Will has all but given up - that is until Lou determines to show him that life is worth living.
Loosely based on the true-life tale of Ron Woodroof, a drug-taking, women-loving, homophobic man who in 1986 was diagnosed with HIV/AIDS and given thirty days to live.
Japan, 1943, during World War II. Young Suzu leaves her village near Hiroshima to marry and live with her in-laws in Kure, a military harbor. Her creativity to overcome deprivation quickly makes her indispensable at home. Inhabited by an ancestral wisdom, Suzu impregnates the simple gestures of everyday life with poetry and beauty. The many hardships, the loss of loved ones, the frequent air raids of the enemy, nothing alters her enthusiasm...
Kyuta, a boy living in Shibuya, and Kumatetsu, a lonesome beast from Jutengai, an imaginary world. One day, Kyuta forays into the imaginary world and, as he's looking for his way back, meets Kumatetsu who becomes his spirit guide. That encounter leads them to many adventures.
These films earn their emotional weight by grounding everything in specificity. The characters feel like people, not constructs. That's rare and it's not easy.
When 11-year-old Riley moves to a new city, her Emotions team up to help her through the transition. Joy, Fear, Anger, Disgust and Sadness work together, but when Joy and Sadness get lost, they must journey through unfamiliar places to get back home.
The night after another unsatisfactory New Year's party, Tim's father reveals to him that the men in their family have the ability to travel through time. They can't change history, but they can change what happens and has happened in their own lives. Thus begins the start of a lesson in learning to appreciate life itself as it is, as it comes, and most importantly, the people living alongside us.
A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.
Mia, an aspiring actress, serves lattes to movie stars in between auditions and Sebastian, a jazz musician, scrapes by playing cocktail party gigs in dingy bars, but as success mounts they are faced with decisions that begin to fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.
Germany, 1944. Leyna, the 15-year old daughter of a white German mother and a black African father, meets Lutz, a compassionate member of the Hitler Youth whose father is a prominent Nazi soldier, and they form an unlikely connection in this quickly changing world.
The films that change cinema are rarely the ones trying to. They're usually just trying to be great - and accidentally redrawing the map.
Great drama stays with you because it refuses easy comfort. These films hand you something true and let you carry it.