For a marathon to work, you need a few films that people already love, at least one genuine discovery, and something that sparks a conversation at the end.
The 2010s were defined by a wave of filmmakers who understood that the best genre films work on multiple levels simultaneously.
Great horror films are never really about the monster. They're about what the monster represents â fear, grief, guilt, the unknown.
Kyung-chul is a dangerous psychopath who kills for pleasure. Soo-hyeon, a top-secret agent, decides to track down the murderer himself. He promises himself that he will do everything in his power to take vengeance against the killer, even if it means that he must become a monster himself.
When a zombie virus pushes Korea into a state of emergency, those trapped on an express train to Busan must fight for their own survival.
A committed dancer struggles to maintain her sanity after winning the lead role in a production of Tchaikovsky's "Swan Lake."
A decade after a tragic mistake, family man Chas Chandler and occult detective John Constantine set out to cure his daughter Trish from a mysterious supernatural coma.
Real zombies arrive and terrorize the crew of a zombie film being shot in an abandoned warehouse, said to be the site of military experiments on humans.
The horror films worth watching are the ones that stay with you not because of the scares but because of what the scares meant. These films mean something.
Chris and his girlfriend Rose go upstate to visit her parents for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.
Vampire housemates try to cope with the complexities of modern life and show a newly turned hipster some of the perks of being undead.
Paranormal investigators Ed and Lorraine Warren work to help a family terrorized by a dark presence in their farmhouse. Forced to confront a powerful entity, the Warrens find themselves caught in the most terrifying case of their lives.
A brilliant plastic surgeon creates a synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
Two hillbillies are suspected of being killers by a group of paranoid college kids camping near the duo's West Virginian cabin. As the body count climbs, so does the fear and confusion as the college kids try to seek revenge against the pair.
There are films that remind you, without sentimentality, that people are capable of extraordinary things. These are some of them.
These films work not in spite of their darkness but because of what they do with it. Fear, in the right hands, is one of cinema's most honest tools.