Friday night with friends is about energy. You want something that earns its place in the conversation - a film that people are still talking about on the way home.
Go back far enough and you find films that had no idea they'd become classics. The 80s and 90s produced more of them than any other era.
The finest horror films use fear the way poets use silence. Not as the subject â as the space that makes everything else reverberate.
A priest discovers an ancient canister containing a strange liquid in an abandoned church. When a group of graduate students and scientists are tasked with studying it, they unknowingly unleash an evil force waiting to destroy all of humanity.
A Catholic school newcomer falls in with a clique of teen witches who wield their powers against all who dare to cross them -- be they teachers, rivals or meddlesome parents.
A single mom is raped by an invisible force. Her psychiatrist believes the experience stems from childhood trauma, while she knows something supernatural is at play.
When secretive new neighbors move in next door, suburbanite Ray Peterson and his friends let their paranoia get the best of them as they start to suspect the newcomers of evildoings and commence an investigation. But it's hardly how Ray, who much prefers drinking beer, reading his newspaper and watching a ball game on the tube expected to spend his vacation.
A young opera singer is stalked by a deranged fan bent on killing the people associated with her to claim her for himself.
What separates great horror from cheap horror is craft. These films use silence, anticipation, and image with the precision of a surgeon.
After being shot in a toy store, a serial killer transfers his soul into a Good Guy doll. A mother then gifts it to her 6-year old son Andy, which unleashes terror upon the city.
Arriving in Chicago, Henry moves in with ex-con acquaintance Otis and starts schooling him in the ways of the serial killer.
Strange things begin to occur as a tiny California coastal town prepares to commemorate its centenary. Inanimate objects spring eerily to life; Rev. Malone stumbles upon a dark secret about the town's founding; radio announcer Stevie witnesses a mystical fire; and hitchhiker Elizabeth discovers the mutilated corpse of a fisherman. Then a mysterious iridescent fog descends upon the village, and more people start to die.
In 1959, an alien experiment crashes to earth and infects a fraternity member. They freeze the body, but in the modern day, two geeks pledging a fraternity accidentally thaw the corpse, which proceeds to infect the campus with parasites that transform their hosts into killer zombies.
A research scientist explores the boundaries and frontiers of human consciousness. Using sensory deprivation and hallucinogenic mixtures from Native American shamans, he explores these altered states of cognizance and finds that memory, time, and reality itself are states of mind.
Cinematography is the argument the film is making before anyone speaks. These films make their argument beautifully.
Great horror stays with you because it was never really about the monster. The films that linger are the ones that used fear to say something true.