There's a particular kind of film for a rainy night alone - absorbing enough to pull you fully in, good enough that you don't check your phone once.
The 80s and 90s remain a goldmine. Films that were commercially dismissed on release and now considered essential.
Romance cinema at its finest doesn't sentimentalise love. It shows it clearly â messy, inconvenient, and still somehow worth everything.
In 18th century France, Marquise de Merteuil asks her ex-lover Vicomte de Valmont to seduce the future wife of another ex-lover of hers in return for one last night with her. Yet things don't go as planned.
A young beautician, newly arrived in a small Louisiana town, finds work at the local salon, where a small group of women share a close bond of friendship and welcome her into the fold.
Rebellious young Axel Blackmar gets caught up into the family car business when his cousin, Paul, coaxes him to come to Arizona to attend the wedding of their Uncle Leo. As Axel makes the decision to try selling Cadillacs with his family, he meets an eccentric woman named Elaine and her equally quirky stepdaughter, Grace. Their lives become inextricably intertwined through romance, dreams - and death.
Tells the life story of Danish author Karen Blixen, who at the beginning of the 20th century moved to Africa to build a new life for herself. The film is based on her 1937 autobiographical novel.
Jackie is a divorced mother of two. Isabel is the career minded girlfriend of Jackie's ex-husband Luke, forced into the role of unwelcome stepmother to their children. But when Jackie discovers she is ill, both women realise they must put aside their differences to find a common ground and celebrate life to the fullest, while they have the chance.
The romance films that endure are the ones that don't lie about love. They acknowledge the difficulty while making the feeling feel completely worth it.
In the 1930s, Count Almásy is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics.
Billy is released after five years in prison. In the next moment, he kidnaps teenage student Layla and visits his parents with her, pretending she is his girlfriend and they will soon marry.
Gia Carangi meteorically rises to modeling fame in the late 1970s but becomes overconsumed by persistent loneliness and drug addiction.
Humbert Humbert is a middle-aged British novelist who is both appalled by and attracted to the vulgarity of American culture. When he comes to stay at the boarding house run by Charlotte Haze, he soon becomes obsessed with Lolita, the woman's teenaged daughter.
A passenger on a cruise ship develops an irresistible infatuation with an eccentric paraplegic's wife.
The best comedies don't try to be funny. They build worlds with such specificity that the humour arrives naturally. These films know that.
Great romance cinema earns its place in memory by being honest about love â not flattering it, not sentimentalising it, but showing it clearly enough that it resonates.