There's a particular kind of film for a rainy night alone - absorbing enough to pull you fully in, good enough that you don't check your phone once.
The 80s and 90s are where a lot of cinema's DNA was written. Films that set the templates still running today.
The best romantic films work because they're fundamentally about two people trying to understand each other. Love is just the context.
After his lover rejects him, Maurice attempts to come to terms with his sexuality within the restrictiveness of Edwardian society.
On the first day at his new school, Cameron instantly falls for Bianca, the gorgeous girl of his dreams. The only problem is that Bianca is forbidden to date until her ill-tempered, completely un-dateable older sister Kat goes out, too. In an attempt to solve his problem, Cameron singles out the only guy who could possibly be a match for Kat: a mysterious bad boy with a nasty reputation of his own.
A couple travels from Hong Kong to Argentina to revive their relationship but experience turbulence when both men's lives drift in separate directions.
Vincent is an all-too-human man who dares to defy a system obsessed with genetic perfection. He is an "In-Valid" who assumes the identity of a member of the genetic elite to pursue his goal of traveling into space with the Gattaca Aerospace Corporation.
Clarence marries hooker Alabama, steals cocaine from her pimp, and tries to sell it in Hollywood, while the owners of the coke try to reclaim it.
What makes romantic cinema great is the gap between what characters want to say and what they actually say. These films live in that gap.
Young writer Richard Collier is met on the opening night of his first play by an old lady who begs him to "Come back to me". Mystified, he tries to find out about her, and learns that she is a famous stage actress from the early twentieth century. Becoming more and more obsessed with her, by self-hypnosis he manages to travel back in time-where he meets her.
In a small, conservative Scottish village, an oilman is paralyzed in an accident. His wife, who prayed for his return, feels guilty; even more, when he urges her to have sex with another.
Bestowed with superhuman strength, a young mortal named Hercules sets out to prove himself a hero in the eyes of his father, the great god Zeus. Along with his friends Pegasus, a flying horse, and Phil, a personal trainer, Hercules is tricked by the hilarious, hotheaded villain Hades, who's plotting to take over Mount Olympus!
Count Dracula, a 15th-century prince, is condemned to live off the blood of the living for eternity. Young lawyer Jonathan Harker is sent to Dracula's castle to finalise a land deal, but when the Count sees a photo of Harker's fiancée, Mina, the spitting image of his dead wife, he imprisons him and sets off for London to track her down.
Childhood friends Jacques and Enzo share a passion for the danger of free diving. Jacques, following in the footsteps of his father, who died at sea when Jacques was a boy, harbors a remarkable ability to adjust his heart rate and breathing patterns in the water, with his vital signs more closely resembling those of dolphins than men.
The best hopeful films aren't naive. They acknowledge the difficulty and find the humanity anyway. These do that.
Great romance cinema earns its place in memory by being honest about love â not flattering it, not sentimentalising it, but showing it clearly enough that it resonates.