There's a particular kind of film for a rainy night alone - absorbing enough to pull you fully in, good enough that you don't check your phone once.
The 2010s were defined by a wave of filmmakers who understood that the best genre films work on multiple levels simultaneously.
The best thrillers work because the tension is internal as much as external. The characters are fighting themselves as much as any external threat.
The true story of Captain Richard Phillips and the 2009 hijacking by Somali pirates of the US-flagged MV Maersk Alabama, the first American cargo ship to be hijacked in two hundred years.
Paranormal investigators Ed and Lorraine Warren work to help a family terrorized by a dark presence in their farmhouse. Forced to confront a powerful entity, the Warrens find themselves caught in the most terrifying case of their lives.
A tenacious attorney uncovers a dark secret that connects a growing number of unexplained deaths to one of the world's largest corporations. In the process, he risks everything - his future, his family, and his own life - to expose the truth.
Shown from the perspective of a young submariner with unusually sensitive hearing and uncannily precise sound recognition. The fate of many often depends on his ability, and one time, whilst highly stressed, he makes a incorrect call which put his entire crew in mortal danger. Trying to regain the confidence of his comrades, he conducts an unauthorised investigation of an apparent plot which, it turns out, risks escalating into a nuclear apocalypse. Suddenly working under pressure with the fleet admiral, they must do whatever is necessary, even the unthinkable, to prevent a nuclear war, since a confirmed nuclear strike order cannot be countermanded.
Mumbai, India, November 26, 2008. While several terrorists spread hatred and death through the city, others attack the Taj Mahal Palace Hotel. Both hotel staff and guests risk their lives, making unthinkable sacrifices to protect themselves and keep everyone safe while help arrives.
The best thrillers are the ones where you're not sure who to trust â including yourself. Moral clarity dissolves. You're left with only the tension.
A woman's body disappears mysteriously from the morgue without a trace. Police inspector Jaime Peña investigates the strange occurrence with the help of Álex Ulloa, the widower of the missing woman.
Marcello, a small and gentle dog groomer, finds himself involved in a dangerous relationship of subjugation with Simone, a former violent boxer who terrorizes the entire neighborhood. In an effort to reaffirm his dignity, Marcello will submit to an unexpected act of vengeance.
A case of the flu quickly morphs into a pandemic. As the death toll mounts and the living panic, the government plans extreme measures to contain it.
A brutal mugging leaves Grey Trace paralyzed in the hospital and his beloved wife dead. A billionaire inventor soon offers Trace a cure - an artificial intelligence implant called STEM that will enhance his body. Now able to walk, Grey finds that he also has superhuman strength and agility - skills he uses to seek revenge against the thugs who destroyed his life.
A brilliant plastic surgeon creates a synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
The best endings don't resolve - they resonate. You're still thinking about them on the way to bed. These qualify.
The best thriller films leave you uncertain â about the characters, about the world, about what you would have done. That uncertainty is the point.