For a marathon to work, you need a few films that people already love, at least one genuine discovery, and something that sparks a conversation at the end.
The 2010s were defined by a wave of filmmakers who understood that the best genre films work on multiple levels simultaneously.
Thriller cinema at its finest is a masterclass in pacing. Every scene tightens the screw. Nothing is wasted.
When a zombie virus pushes Korea into a state of emergency, those trapped on an express train to Busan must fight for their own survival.
When Lou Bloom, desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story. Aiding him in his effort is Nina, a TV-news veteran.
A reclusive pawnshop owner goes on a brutal rampage to rescue a young girl kidnapped by a criminal organization.
A committed dancer struggles to maintain her sanity after winning the lead role in a production of Tchaikovsky's "Swan Lake."
In Chinatown, law and order is turned upside down when a trio of feral Chinese gangsters arrive, start terrorizing civilians, and usurping territory. The beleaguered local gangsters team up with the police, lead by the badass loose cannon Ma Seok-do, to bring them down. Based on a true story.
What these films understand is that the best threat isn't the one that's fastest â it's the one that's closest. These films know exactly where to put it.
Bacurau, a small town in the Brazilian sertão, mourns the loss of its matriarch, Carmelita, who lived to be 94. Days later, its inhabitants notice that their community has vanished from most maps.
Palermo, Sicily, 1980. Mafia member Tommaso Buscetta decides to move to Brazil with his family fleeing the constant war between the different clans of the criminal organization. But when, after living several misfortunes, he is forced to return to Italy, he makes a bold decision that will change his life and the destiny of Cosa Nostra forever.
Chris and his girlfriend Rose go upstate to visit her parents for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.
After fighting his way through an apartment building populated by an army of dangerous criminals and escaping with his life, SWAT team member Rama goes undercover, joining a powerful Indonesian crime syndicate to protect his family and uncover corrupt members of his own force.
A series of mysterious events changes the life of a blind pianist who now must report a crime that was actually never witnessed by him.
Overlooked films are overlooked for the wrong reasons. Not because they failed - because they didn't fit. These didn't fit. They're excellent.
The best thriller films leave you uncertain â about the characters, about the world, about what you would have done. That uncertainty is the point.