The mistake most marathons make is consistency - same tone, same energy, film after film. Vary the weight. Follow something heavy with something lighter. Let the list breathe.
The 2010s were defined by a wave of filmmakers who understood that the best genre films work on multiple levels simultaneously.
Great thrillers are built on a simple premise: make the audience care, then put everything they care about in jeopardy. Easier said than done.
When a zombie virus pushes Korea into a state of emergency, those trapped on an express train to Busan must fight for their own survival.
When Lou Bloom, desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story. Aiding him in his effort is Nina, a TV-news veteran.
A reclusive pawnshop owner goes on a brutal rampage to rescue a young girl kidnapped by a criminal organization.
A committed dancer struggles to maintain her sanity after winning the lead role in a production of Tchaikovsky's "Swan Lake."
In Chinatown, law and order is turned upside down when a trio of feral Chinese gangsters arrive, start terrorizing civilians, and usurping territory. The beleaguered local gangsters team up with the police, lead by the badass loose cannon Ma Seok-do, to bring them down. Based on a true story.
These films earn their suspense slowly, deliberately, brick by brick. By the time the pressure peaks, you're completely invested and there's nowhere to go.
Bacurau, a small town in the Brazilian sertão, mourns the loss of its matriarch, Carmelita, who lived to be 94. Days later, its inhabitants notice that their community has vanished from most maps.
Palermo, Sicily, 1980. Mafia member Tommaso Buscetta decides to move to Brazil with his family fleeing the constant war between the different clans of the criminal organization. But when, after living several misfortunes, he is forced to return to Italy, he makes a bold decision that will change his life and the destiny of Cosa Nostra forever.
Chris and his girlfriend Rose go upstate to visit her parents for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.
After fighting his way through an apartment building populated by an army of dangerous criminals and escaping with his life, SWAT team member Rama goes undercover, joining a powerful Indonesian crime syndicate to protect his family and uncover corrupt members of his own force.
A series of mysterious events changes the life of a blind pianist who now must report a crime that was actually never witnessed by him.
The best comedies don't try to be funny. They build worlds with such specificity that the humour arrives naturally. These films know that.
These films work because they take the mechanics of suspense seriously. Not as a trick. As a language for telling you something true about fear and choice.