Not preachy. Not instructive. Just films that quietly raise the bar.
Imprisoned in the 1940s for the double murder of his wife and her lover, upstanding banker Andy Dufresne begins a new life at the Shawshank prison, where he puts his accounting skills to work for an amoral warden. During his long stretch in prison, Dufresne comes to be admired by the other inmates -- including an older prisoner named Red -- for his integrity and unquenchable sense of hope.
You finish this and feel a vague, good pressure to be more considered. That's the right feeling.
Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.
You finish this and feel a vague, good pressure to be more considered. That's the right feeling.
In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.
You finish this and feel a vague, good pressure to be more considered. That's the right feeling.
The true story of how businessman Oskar Schindler saved over a thousand Jewish lives from the Nazis while they worked as slaves in his factory during World War II.
It shows someone doing something quietly right. No announcement. No reward. Just doing it.
The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.
You finish this and feel a vague, good pressure to be more considered. That's the right feeling.
The films that inspire you to be better never set out to do that. They just get close enough to something true that the comparison lands.
The deepest possible well for this effect. Drama built around moral choice.
Good paired viewing. Worth pausing to discuss.
Raj is a rich, carefree, happy-go-lucky second generation NRI. Simran is the daughter of Chaudhary Baldev Singh, who in spite of being an NRI is very strict about adherence to Indian values. Simran has left for India to be married to her childhood fiancé. Raj leaves for India with a mission at his hands, to claim his lady love under the noses of her whole family. Thus begins a saga.
It shows someone doing something quietly right. No announcement. No reward. Just doing it.
A supernatural tale set on death row in a Southern prison, where gentle giant John Coffey possesses the mysterious power to heal people's ailments. When the cell block's head guard, Paul Edgecomb, recognizes Coffey's miraculous gift, he tries desperately to help stave off the condemned man's execution.
You finish this and feel a vague, good pressure to be more considered. That's the right feeling.
All unemployed, Ki-taek's family takes peculiar interest in the wealthy and glamorous Parks for their livelihood until they get entangled in an unexpected incident.
It shows someone doing something quietly right. No announcement. No reward. Just doing it.
High schoolers Mitsuha and Taki are complete strangers living separate lives. But one night, they suddenly switch places. Mitsuha wakes up in Taki's body, and he in hers. This bizarre occurrence continues to happen randomly, and the two must adjust their lives around each other.
You finish this and feel a vague, good pressure to be more considered. That's the right feeling.
The adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.
You finish this and feel a vague, good pressure to be more considered. That's the right feeling.
Some films earn their effect. These do.