The best films of this kind don't manipulate you. They just point at something true.
Mr. Kim is jobless, lost in debt and has been dumped by his girlfriend. He decides to end it all by jumping into the Han River – only to find himself washed up on a small, mid-river island. He soon abandons thoughts of suicide or rescue and begins a new life as a castaway. His antics catch the attention of a young woman whose apartment overlooks the river. Her discovery changes both their lives.
This film slows everything down in a way that makes ordinary things look extraordinary.
The night after another unsatisfactory New Year's party, Tim's father reveals to him that the men in their family have the ability to travel through time. They can't change history, but they can change what happens and has happened in their own lives. Thus begins the start of a lesson in learning to appreciate life itself as it is, as it comes, and most importantly, the people living alongside us.
This film slows everything down in a way that makes ordinary things look extraordinary.
A fading music hall comedian tries to help a despondent ballet dancer learn to walk and to again feel confident about life.
You finish it and look up, and whatever room you're in looks slightly different.
Part-time model Valentine unexpectedly befriends a retired judge after she runs over his dog. At first, the grumpy man shows no concern about the dog, and Valentine decides to keep it. But the two form a bond when she returns to his house and catches him listening to his neighbors' phone calls.
This film slows everything down in a way that makes ordinary things look extraordinary.
101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic's departure through to its death - on its first and last voyage - on April 15, 1912.
You finish it and look up, and whatever room you're in looks slightly different.
Films that make you appreciate life usually work by contrast, or by slowing time down enough to see it properly.
The beauty of ordinary connection. Direct path to appreciation.
Sunday-afternoon pacing. Unhurried and rewarding.
Mia, an aspiring actress, serves lattes to movie stars in between auditions and Sebastian, a jazz musician, scrapes by playing cocktail party gigs in dingy bars, but as success mounts they are faced with decisions that begin to fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.
This film slows everything down in a way that makes ordinary things look extraordinary.
Story of a young woman who marries a fascinating widower only to find out that she must live in the shadow of his former wife, Rebecca, who died mysteriously several years earlier. The young wife must come to grips with the terrible secret of her handsome, cold husband, Max De Winter. She must also deal with the jealous, obsessed Mrs. Danvers, the housekeeper, who will not accept her as the mistress of the house.
You finish it and look up, and whatever room you're in looks slightly different.
As a CODA (Child of Deaf Adults), Ruby is the only hearing person in her deaf family. When the family's fishing business is threatened, Ruby finds herself torn between pursuing her love of music and her fear of abandoning her parents.
You finish it and look up, and whatever room you're in looks slightly different.
Germany, 1944. Leyna, the 15-year old daughter of a white German mother and a black African father, meets Lutz, a compassionate member of the Hitler Youth whose father is a prominent Nazi soldier, and they form an unlikely connection in this quickly changing world.
You finish it and look up, and whatever room you're in looks slightly different.
Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.
This film slows everything down in a way that makes ordinary things look extraordinary.
Some films earn their effect. These do.