Some films leave you wanting more from yourself. These do that without lecturing.
Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Although he often has to deal with the aftermath of their visits, one night he's left with a major problem to solve.
It shows someone doing something quietly right. No announcement. No reward. Just doing it.
1930s Korea, in the period of Japanese occupation, a new girl, Sook-hee, is hired as a handmaiden to a Japanese heiress, Hideko, who lives a secluded life on a large countryside estate with her domineering Uncle Kouzuki. But the maid has a secret. She is a pickpocket recruited by a swindler posing as a Japanese Count to help him seduce the Lady to steal her fortune.
It shows someone doing something quietly right. No announcement. No reward. Just doing it.
A family dog – with a near-human soul and a philosopher's mind – evaluates his life through the lessons learned by his human owner, a race-car driver.
It shows someone doing something quietly right. No announcement. No reward. Just doing it.
In 1999, a teen girl keeps close tabs on a boy in school on behalf of her deeply smitten best friend – then she gets swept up in a love story of her own.
You finish this and feel a vague, good pressure to be more considered. That's the right feeling.
A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her.
You finish this and feel a vague, good pressure to be more considered. That's the right feeling.
Moral cinema works when it trusts the audience to draw their own conclusions.
Care and commitment at their best. The quiet heroism of relationships.
Sunday-afternoon pacing. Unhurried and rewarding.
In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.
It shows someone doing something quietly right. No announcement. No reward. Just doing it.
In 1927 Hollywood, a silent film star falls for a chorus girl just as he and his paranoid screen partner struggle to make the difficult transition to talking pictures.
It shows someone doing something quietly right. No announcement. No reward. Just doing it.
A bullied teenage girl forms an unlikely friendship with a mysterious young man who protects her from her assailants, while she copes with the pressures of her final examinations.
You finish this and feel a vague, good pressure to be more considered. That's the right feeling.
On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman.
You finish this and feel a vague, good pressure to be more considered. That's the right feeling.
In the summer of 1983, a 17-year-old Elio spends his days in his family's villa in Italy. One day Oliver, a graduate student, arrives to assist Elio's father, a professor of Greco-Roman culture. Soon, Elio and Oliver discover a summer that will alter their lives forever.
You finish this and feel a vague, good pressure to be more considered. That's the right feeling.
Some films earn their effect. These do.