Easy watching. No subtext to untangle, no plot to decode.
Tony Lip, a bouncer in 1962, is hired to drive pianist Don Shirley on a tour through the Deep South in the days when African Americans, forced to find alternate accommodations and services due to segregation laws below the Mason-Dixon Line, relied on a guide called The Negro Motorist Green Book.
No subtext to work through. Exactly what it looks like, which is enough.
As U.S. troops storm the beaches of Normandy, three brothers lie dead on the battlefield, with a fourth trapped behind enemy lines. Ranger captain John Miller and seven men are tasked with penetrating German-held territory and bringing the boy home.
Nothing to decode. Just watch it and you've done the whole thing.
The unlikely friendship of a boy, a mole, a fox and a horse traveling together in the boy's search for home.
Nothing to decode. Just watch it and you've done the whole thing.
In Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis. The Basterds, lead by Lt. Aldo Raine soon cross paths with a French-Jewish teenage girl who runs a movie theater in Paris which is targeted by the soldiers.
No subtext to work through. Exactly what it looks like, which is enough.
Seventeen-year-old Stella spends most of her time in the hospital as a cystic fibrosis patient. Her life is full of routines, boundaries and self-control — all of which get put to the test when she meets Will, an impossibly charming teen who has the same illness. There's an instant flirtation, though restrictions dictate that they must maintain a safe distance between them. As their connection intensifies, so does the temptation to throw the rules out the window and embrace that attraction.
No subtext to work through. Exactly what it looks like, which is enough.
No-effort films are often very well made. Taking yourself out of the audience's way is a real skill.
Simple emotional through-lines only. Avoid anything requiring interpretation.
Best watched alone. Full absorption, no compromise on what to pick.
After her werewolf lover unexpectedly dies in an accident, a woman must find a way to raise the son and daughter that she had with him. However, their inheritance of their father's traits prove to be a challenge for her.
No subtext to work through. Exactly what it looks like, which is enough.
The invasion of a village in Belarus by German forces sends young Florya into the forest to join the weary Resistance fighters, against his family's wishes. There he meets a girl, Glasha, who accompanies him back to his village. On returning home, Florya finds his family and fellow peasants massacred. His continued survival amidst the brutal debris of war becomes increasingly nightmarish, a battle between despair and hope.
No subtext to work through. Exactly what it looks like, which is enough.
Roberto, a shy law student in Rome, meets Bruno, a forty-year-old exuberant, capricious man, who takes him for a drive through the Roman and Tuscany countries in the summer. When their journey starts to blend into their daily lives though, the pair’s newfound friendship is tested.
No subtext to work through. Exactly what it looks like, which is enough.
A vacationing entomologist suffers extreme physical and psychological trauma after being taken captive by the residents of a poor seaside village and made to live with a woman whose life task is shoveling sand for them.
No subtext to work through. Exactly what it looks like, which is enough.
A peculiar neighbor offers hope to a recent widow who is struggling to raise a teenager who is unpredictable and, sometimes, violent.
Nothing to decode. Just watch it and you've done the whole thing.
The right film for the right state is a specific thing. These are specific.