The Moviepiq team selected these films specifically for when the person who almost changed everything. Chosen because they understand the specific weight of this moment.
Films for the person who almost changed everything. You can say it with the right tone now. Most of the time.
You have been going backward. Not to live there, just to touch the texture of a time that felt different, to confirm that easier versions of things existed once and might exist again. The nostalgia is something you are constructing deliberately from what's available, and you are aware of the construction and doing it anyway, because sometimes the manufactured version is the closest thing. These films work in the same register. They hold an earlier feeling with enough honesty that you can borrow it for a while.
At a tiny Parisian café, the adorable yet painfully shy Amélie accidentally discovers a gift for helping others. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. But when she bumps into a handsome stranger, will she find the courage to b
It holds a register of warmth that belongs to an earlier time. Close enough to the feeling you're reaching for that you can borrow it for a while.
Safe to go backward
In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.
The texture of this film is familiar in the way old photographs are familiar. It gives you somewhere to put the tenderness that has nowhere else to go.
Holds the past carefully
A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.
It goes backward in the right way. Not nostalgic for nostalgia's sake, but honest about what it felt like when the thing you're missing was still there.
Warmth without demand
A parasitic alien soul is injected into the body of Melanie Stryder. Instead of carrying out her race's mission of taking over the Earth, "Wanda" (as she comes to be called) forms a bond with her host and sets out to aid other free humans.
The warmth of this film is specific and it is real and it doesn't require you to explain why you needed it.
Real enough to borrow
The films that follow lean into the texture of memory. They know what you are looking for in the past.
The invasion of a village in Belarus by German forces sends young Florya into the forest to join the weary Resistance fighters, against his family's wishes. There he meets a girl, Glasha, who accompanies him back to his village. On returning home, Florya finds his family and fell
It holds a register of warmth that belongs to an earlier time. Close enough to the feeling you're reaching for that you can borrow it for a while.
Safe to go backward
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
The texture of this film is familiar in the way old photographs are familiar. It gives you somewhere to put the tenderness that has nowhere else to go.
Holds the past carefully
The true story of how businessman Oskar Schindler saved over a thousand Jewish lives from the Nazis while they worked as slaves in his factory during World War II.
It goes backward in the right way. Not nostalgic for nostalgia's sake, but honest about what it felt like when the thing you're missing was still there.
Warmth without demand
An unexpected meeting on a train leads two travelers to spend an evening wandering through Vienna. As the night unfolds, they share stories and conversations about life and love, exploring new ideas while a quiet intimacy grows between them, knowing it may be their only night tog
The warmth of this film is specific and it is real and it doesn't require you to explain why you needed it.
Real enough to borrow
A petty criminal fakes insanity to serve his sentence in a mental ward rather than prison. He soon finds himself as a leader to the other patients:and an enemy to the cruel, domineering nurse who runs the ward.
It holds a register of warmth that belongs to an earlier time. Close enough to the feeling you're reaching for that you can borrow it for a while.
Safe to go backward
Enraged at the slaughter of Murron, his new bride and childhood love, Scottish warrior William Wallace slays a platoon of the local English lord's soldiers. This leads the village to revolt and, eventually, the entire country to rise up against English rule.
The texture of this film is familiar in the way old photographs are familiar. It gives you somewhere to put the tenderness that has nowhere else to go.
Holds the past carefully
This fiction-documentary hybrid uses a sensational real-life event:the arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker Mohsen Makhmalbaf:as the basis for a stunning, multilayered investigation into movies, identity, artistic creation, a
It goes backward in the right way. Not nostalgic for nostalgia's sake, but honest about what it felt like when the thing you're missing was still there.
Warmth without demand
In an epic tale of theater, gender, love and class, two Beijing opera actors navigate political turmoil as their friendship evolves over decades.
The warmth of this film is specific and it is real and it doesn't require you to explain why you needed it.
Real enough to borrow
You can't go back. You can get close. These are close.
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