The best moral cinema doesn't tell you anything. It just shows you something and lets you work it out.
Japan is thrown into a panic after several ships are sunk near Odo Island. An expedition to the island led by Dr. Kyohei Yamane soon discover something far more devastating than imagined in the form of a 50 meter tall monster whom the natives call Gojira. Now the monster begins a rampage that threatens to destroy not only Japan, but the rest of the world as well.
It shows someone doing something quietly right. No announcement. No reward. Just doing it.
Real zombies arrive and terrorize the crew of a zombie film being shot in an abandoned warehouse, said to be the site of military experiments on humans.
You finish this and feel a vague, good pressure to be more considered. That's the right feeling.
Chris and his girlfriend Rose go upstate to visit her parents for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.
It shows someone doing something quietly right. No announcement. No reward. Just doing it.
Grace is a woman who lives in an old house kept dark because her two children, Anne and Nicholas, have a rare sensitivity to light. When the family begins to suspect the house is haunted, Grace fights to protect her children at any cost in the face of strange events and disturbing visions.
You finish this and feel a vague, good pressure to be more considered. That's the right feeling.
A ragtag group barricade themselves in an old Pennsylvania farmhouse to remain safe from a horde of flesh-eating ghouls ravaging the Northeast.
You finish this and feel a vague, good pressure to be more considered. That's the right feeling.
The films that inspire you to be better never set out to do that. They just get close enough to something true that the comparison lands.
Survival ethics. Not the obvious choice but occasionally powerful.
Sunday-afternoon pacing. Unhurried and rewarding.
Adventurous filmmaker Carl Denham sets out to produce a motion picture unlike anything the world has seen before. Alongside his leading lady Ann Darrow and his first mate Jack Driscoll, they arrive on an island and discover a legendary creature said to be neither beast nor man. Denham captures the monster to be displayed on Broadway as King Kong, the eighth wonder of the world.
It shows someone doing something quietly right. No announcement. No reward. Just doing it.
Dr. Génessier is riddled with guilt after an accident that he caused disfigures the face of his daughter, the once beautiful Christiane, who outsiders believe is dead. Dr. Génessier, along with accomplice and laboratory assistant Louise, kidnaps young women and brings them to the Génessier mansion. After rendering his victims unconscious, Dr. Génessier removes their faces and attempts to graft them on to Christiane's.
It shows someone doing something quietly right. No announcement. No reward. Just doing it.
In postwar Japan, Godzilla brings new devastation to an already scorched landscape. With no military intervention or government help in sight, the survivors must join together in the face of despair and fight back against an unrelenting horror.
It shows someone doing something quietly right. No announcement. No reward. Just doing it.
Fifteen years after murdering his sister on Halloween Night 1963, Michael Myers escapes from a mental hospital and returns to the small town of Haddonfield, Illinois to kill again.
You finish this and feel a vague, good pressure to be more considered. That's the right feeling.
Vampire housemates try to cope with the complexities of modern life and show a newly turned hipster some of the perks of being undead.
It shows someone doing something quietly right. No announcement. No reward. Just doing it.
Some films earn their effect. These do.