The Moviepiq team selected these films specifically for when secret admiration you cant confess. Chosen because they understand the specific weight of this moment.
Films for feelings you are not going to say out loud. Because of the situation, or what it would cost, or what it would change.
You have been going backward. Not to live there, just to touch the texture of a time that felt different, to confirm that easier versions of things existed once and might exist again. The nostalgia is something you are constructing deliberately from what's available, and you are aware of the construction and doing it anyway, because sometimes the manufactured version is the closest thing. These films work in the same register. They hold an earlier feeling with enough honesty that you can borrow it for a while.
Simple Italian postman learns to love poetry while delivering mail to a famous poet; he uses this to woo local beauty Beatrice.
It holds a register of warmth that belongs to an earlier time. Close enough to the feeling you're reaching for that you can borrow it for a while.
Safe to go backward
A man with a low IQ has accomplished great things in his life and been present during significant historic events:in each case, far exceeding what anyone imagined he could do. But despite all he has achieved, his one true love eludes him.
The texture of this film is familiar in the way old photographs are familiar. It gives you somewhere to put the tenderness that has nowhere else to go.
Holds the past carefully
An indifferent hitman, his infatuated business partner and an ex-convict search for love and meaning as their lives cross paths in Hong Kong.
It goes backward in the right way. Not nostalgic for nostalgia's sake, but honest about what it felt like when the thing you're missing was still there.
Warmth without demand
A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.
The warmth of this film is specific and it is real and it doesn't require you to explain why you needed it.
Real enough to borrow
The films that follow lean into the texture of memory. They know what you are looking for in the past.
Enraged at the slaughter of Murron, his new bride and childhood love, Scottish warrior William Wallace slays a platoon of the local English lord's soldiers. This leads the village to revolt and, eventually, the entire country to rise up against English rule.
It holds a register of warmth that belongs to an earlier time. Close enough to the feeling you're reaching for that you can borrow it for a while.
Safe to go backward
In the boorish city of Agrabah, kind-hearted street urchin Aladdin and Princess Jasmine fall in love, although she can only marry a prince. He and power-hungry Grand Vizier Jafar vie for a magic lamp that can fulfill their wishes.
The texture of this film is familiar in the way old photographs are familiar. It gives you somewhere to put the tenderness that has nowhere else to go.
Holds the past carefully
Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson for four days in the 1960s.
It goes backward in the right way. Not nostalgic for nostalgia's sake, but honest about what it felt like when the thing you're missing was still there.
Warmth without demand
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
The warmth of this film is specific and it is real and it doesn't require you to explain why you needed it.
Real enough to borrow
Two melancholic Hong Kong policemen fall in love: one with a mysterious underworld figure, the other with a beautiful and ethereal server at a late-night restaurant.
It holds a register of warmth that belongs to an earlier time. Close enough to the feeling you're reaching for that you can borrow it for a while.
Safe to go backward
Shizuku lives a simple life, dominated by her love for stories and writing. One day she notices that all the library books she has have been previously checked out by the same person: "Seiji Amasawa."
The texture of this film is familiar in the way old photographs are familiar. It gives you somewhere to put the tenderness that has nowhere else to go.
Holds the past carefully
19-year-old Tomek whiles away his lonely life by spying on his opposite neighbour Magda through binoculars. She's an artist in her mid-thirties, and appears to have everything - not least a constant stream of men at her beck and call. But when the two finally meet, they discover
It goes backward in the right way. Not nostalgic for nostalgia's sake, but honest about what it felt like when the thing you're missing was still there.
Warmth without demand
In the years before World War II, a tomboyish postulant at an Austrian abbey is hired as a governess in the home of a widowed naval captain with seven children and brings a new love of life and music into the home.
The warmth of this film is specific and it is real and it doesn't require you to explain why you needed it.
Real enough to borrow
You can't go back. You can get close. These are close.
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