There is a specific feeling that only certain films produce. You are watching a story you are invested in the characters, following the plot and then something happens. The camera lingers on a piazza at golden hour, or a road cutting through an empty landscape, or a city lit up at night from above. And suddenly you are not watching a film anymore. You are somewhere else, aching to be there in person.

This list is for that feeling. Not travel documentaries, not guides. Films that happen to be set somewhere so beautifully rendered that the location becomes its own character and leaves you restless for days after the credits roll.

WANDERLUST ADVENTURE ESCAPISM BEAUTIFUL LOCATIONS LIFE-CHANGING
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The Films

2013 · ADVENTURE · DIRECTED BY BEN STILLER
THE ONE THAT STARTS IT ALL

The Secret Life of Walter Mitty

A daydreamer at a dying magazine makes one real decision and ends up sprinting across Iceland, hiking in Greenland, and skateboarding through Afghanistan. Ben Stiller's direction turns these locations into something mythic Iceland especially, with its volcanic roads and impossible light, looks like another planet. The film understands that travel is not about the destination. It is about finally deciding to go.

Watch this on a grey Sunday when you need reminding that the world is larger than your room. It works every time.

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2011 · ROMANTIC DRAMA · DIRECTED BY WOODY ALLEN
PARIS AS A CHARACTER

Midnight in Paris

Woody Allen's love letter to Paris is so unashamedly romantic about the city that it borders on propaganda and you will not care at all. Rain on cobblestones, café terraces at dusk, the Seine at midnight. The film's central idea, that every generation romanticises the past, is secondary to the real experience of watching it, which is a sustained two-hour longing to be in Paris right now.

Watch this and then immediately search flights. This is not a recommendation, it is a warning.

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2017 · DRAMA · DIRECTED BY LUCA GUADAGNINO
NORTHERN ITALY IN SUMMER

Call Me By Your Name

The Lombardy countryside in summer peach orchards, afternoon light through shuttered windows, bicycles on dust roads, the particular slow heat of a place that has not changed in centuries. Guadagnino photographs this world with such extraordinary care that every frame looks like a painting you want to step into. The love story is the spine of the film, but the setting is its soul.

If you have ever wanted to spend a summer in rural Italy doing nothing in particular, this is the film that will make that feeling unbearable.

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2007 · DRAMA · DIRECTED BY SEAN PENN
ALASKA · THE ROAD · THE WILD

Into the Wild

Christopher McCandless gives away his savings and hitchhikes to Alaska. What follows is a portrait of America's wilderness the Colorado River, the Mojave Desert, the forests of the Pacific Northwest, and finally the Alaskan bush that is so viscerally beautiful it makes you question every routine you have settled for. This is not a film that romanticises McCandless's choices. It is a film that makes you understand, at a cellular level, what drives someone to make them.

Best watched alone. It will leave you uncomfortable in the way that only honest films do.

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2008 · MUSICAL COMEDY · DIRECTED BY PHYLLIDA LLOYD
GREEK ISLANDS · PURE JOY

Mamma Mia!

The Greek island of Skopelos though the film calls it something else looks so impossibly white and blue and sun-soaked that it barely seems real. Mamma Mia! has no pretensions about what it is: a film designed to make you feel good. And part of what makes you feel good is spending two hours in a location that makes the rest of the world look beige. Booking a Greek island holiday immediately after watching is practically a tradition.

If you have never booked a holiday on impulse, this may be the film that changes that.

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2000 · THRILLER · DIRECTED BY DANNY BOYLE
THAILAND · THE DANGER OF PARADISE

The Beach

Maya Bay in Thailand the hidden beach that Leonardo DiCaprio's character discovers became so overwhelmed with tourists after this film that the Thai government eventually closed it to visitors. That is how potent the film's images are. The Beach is not an uncomplicated endorsement of travel, but its opening act, that first glimpse of the secret cove, is one of cinema's most effective portraits of what we are all chasing when we search for somewhere new.

The film has things to say about travellers who destroy the places they love. It is worth paying attention to those things while also understanding why it makes you want to go to Thailand.

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"The best travel films don't show you destinations. They show you what it feels like to arrive somewhere and realise your life has just divided into before and after."

2010 · DRAMA · DIRECTED BY RYAN MURPHY
ITALY · INDIA · BALI

Eat Pray Love

Three countries, three chapters, one sustained argument that leaving your life behind and starting over somewhere beautiful is not just possible but necessary. Rome's trattorias, an ashram in India, and the terraced rice fields of Bali are all rendered with a warmth that makes you forgive the film its excesses. Whatever your view of the source material, the locations are inarguable. You will want the pasta. You will want the silence. You will want Bali.

Best watched in winter when the desire to be somewhere warm and beautiful is most acute.

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1995 · ROMANTIC DRAMA · DIRECTED BY RICHARD LINKLATER
VIENNA · ONE PERFECT NIGHT

Before Sunrise

Two strangers meet on a train and spend one night walking through Vienna before their paths diverge in the morning. Linklater films the city with enormous care the cafés, the parks, the streets at 3am and the effect is that Vienna becomes the third character in a three-character film. Before Sunrise is the film that makes you want to get on a train to somewhere and talk to strangers and stay up all night because life is short and cities are beautiful and there is no reason not to.

The whole Before trilogy Sunrise, Sunset, Midnight is worth watching. But start here.

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2003 · DRAMA · DIRECTED BY SOFIA COPPOLA
TOKYO · BEAUTIFUL DISLOCATION

Lost in Translation

This is a different kind of travel film. It is about being somewhere magnificent and feeling lost anyway the alienation of a foreign city, the loneliness of hotel rooms, the strange intimacy that forms between two people who are both adrift. Tokyo has never looked more beautiful or more disorienting than it does here, lit neon at night, impossibly vast, humming with a life you cannot quite access. It will make you want to go and make you feel the longing before you have even left.

If you have ever arrived somewhere and felt both exhilarated and completely alone, this film will feel personal.

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1988 · DRAMA · DIRECTED BY GIUSEPPE TORNATORE
SICILY · THE WORLD IN A SMALL PLACE

Cinema Paradiso

Sicily seen through the eyes of a boy who grows up in a small village where the local cinema is the centre of the universe. Tornatore's film is about memory and film and home, but it is also a portrait of a particular kind of Italian life sun-bleached, communal, ancient that makes you want to slow down and sit in a square in a town where nothing much happens and feel the weight of a place that has been there for a thousand years.

One of the great films ever made. Not just a travel film a film about everything. Start here if you have never seen it.

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2004 · BIOGRAPHICAL DRAMA · DIRECTED BY WALTER SALLES
SOUTH AMERICA · THE OPEN ROAD

The Motorcycle Diaries

A young Ernesto Guevara and his friend Alberto Granado ride a failing motorcycle through South America and encounter a continent of staggering beauty and staggering inequality. The landscapes the Andes, the Amazon, the Atacama are photographed with reverence. This is a road trip film in the most elemental sense: two people on the move, the world changing around them, the act of travel itself changing who they are.

The best argument ever put on film for why you should travel by land rather than flying over everything.

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2014 · DRAMA · DIRECTED BY JEAN-MARC VALLÉE
THE PACIFIC CREST TRAIL

Wild

Reese Witherspoon hikes over a thousand miles of the Pacific Crest Trail alone, carrying a pack too heavy and wearing boots that destroy her feet, through the Mojave Desert and the forests of Oregon to the Bridge of the Gods on the Columbia River. The landscapes are immense and indifferent and staggering. Wild is about what happens when you walk long enough that your thoughts run out and something else takes over. It will make you want to walk somewhere difficult and beautiful and come back different.

Pair with Into the Wild for a double bill about what the American wilderness does to people who go looking for something real.

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2003 · ROMANTIC DRAMA · DIRECTED BY AUDREY WELLS
TUSCANY · THE SLOWER LIFE

Under the Tuscan Sun

A woman buys a crumbling villa in Tuscany on impulse and rebuilds it, and herself, over the course of a summer. The film is warm and undemanding and the Tuscan countryside the cypress trees, the terracotta rooftops, the markets, the vineyards is rendered with an affection that amounts to tourism of the most effective kind. Not a great film, but an exceptionally good one to watch on a cold evening when you need to be somewhere warmer for two hours.

The best thing this film can do for you is make you want to buy something old and fix it up somewhere beautiful. That is not nothing.

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2006 · ROMANTIC COMEDY · DIRECTED BY RIDLEY SCOTT
PROVENCE · THE LIFE YOU COULD HAVE

A Good Year

Russell Crowe inherits a vineyard in Provence and has to decide between the life he has built in London and the slower, more beautiful life his uncle left him. Ridley Scott not a director you associate with warm romantic comedies films the Luberon region with an unmistakable love, and the result is a film that makes the case for abandoning everything and moving to the French countryside more persuasively than any lifestyle magazine ever could.

A deeply unfashionable film that is better than its reputation. Watch it and then look up property prices in Provence.

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What These Films Have in Common

None of these films are really about travel. They are about people at turning points choosing to move, to leave, to stay, to begin again. Travel is the vehicle. But the locations are so precisely rendered, so clearly loved by the people who filmed them, that they produce something a simple travel film never could: a genuine ache to be somewhere.

The best of them Walter Mitty, Before Sunrise, Into the Wild, Cinema Paradiso understand that the desire to travel is really a desire to feel differently than you feel right now. To be somewhere that demands something of you. To be in motion.

"The camera doesn't just show you a place. The best cinematographers make you grieve for somewhere you've never been."

If you watched one of these films tonight and feel the familiar restlessness the urge to go somewhere, to be somewhere other than here that is the film doing its job. The best cinema does not just entertain you. It reminds you that the world is larger than your current view of it.

Start with The Secret Life of Walter Mitty if you have not seen it. Or Before Sunrise if you want something quieter. Or Into the Wild if you want something that will stay with you for longer than is comfortable. Any of them will do the thing this list promises. They will make you want to travel immediately.